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res ipsa loquiturLethal Lethargy
July 03 RevengePursuing me through the days of July, To its fiery wings I raised the Shield of Ennui, May 21 MayMay brings Monsoon season. Every evening I hike up the mountain in light rain, ramp upon ramp along the cable car rail, to the tiny apartment at Mid Level. After a whole day alone in a glass box I long for a sound, a word. But how do you talk to the Island lying in repose, in silent rain? You can only listen to her pulse and breath - in the rhythm of raindrops beating against the umbrella, in the wave of tires gliding across the wet road surface, in the tide of winds sweeping across the rain-drenched leaves. But most of all, in the silence that flows underneath all these, in the promise of a night of moist and tranquility, as the day finally recedes into the far side of the sea. There is this narrow alley, perched on the back of the mountain and no more than 50 feet long, that always smells like gardenia in the evening. The evanescent fragrance becomes more enduring after mixing with the smell of late rain, swaying back and forth with the evening breeze like a piece of silk hanging high in the air. The stone steps are covered with moss on the edge. One evening I saw a girl walking down the steps, an umbrella in one hand and the other raising in mid air as if pressing against an invisible wall. She stared down the tip of her open-toe shoes with devotion, balanced her delicate figure before sticking out her left foot down the step gingerly, her lips slightly apart and a lock of wet hair pasting on her forehead. I wondered if she noticed the smell of gardenia too. Upon turning the last corner and coming out of the alley you will find yourself at the waist of the mountain looking out on the Victoria Bay. A massive web of light sprawls down the mountain slope, across the water face, into the depth of the infant night. I used to wonder what words are adequate to describe this magnificent view, but upon reading this I gave up my meager attempt: "The rain has drawn off; and amid the moving vapours from point to point of light the city was spinning about herself a soft cocoon of yellowish haze." So this hermit life is my way of mourning - living in silence. In the day I slave away in front of a wall of glass window. I can see ships coming in and out of the harbor in an endless stream and at the same time the narrow streets wind their ways through the skyscrapers, where neon lights are flashing 24/7. Perching on top of the mountain there are these luxurious apartment buildings that are wrapped in low-cast clouds and mist as if in expensive fairy tales. At night I read feverishly. I don't know what spurs this sudden zeal this time but I'm riding it to the end. I'm reading Thoreau too but it's more like a chore than anything else. I wonder why anyone would call this narcissistic self-righteous rant philosophy. More than once I wanted to write something, but bulked at the idea just as quickly. Whatever I have to say seems to be of no significance. none whatsoever. I remember how much I despise the novel 倾城之恋 when I read it in college. The whole country was occupied, raped and slaved, yet this woman went on and on about this love affair which I can't honestly bring myself to give a tiny rat ass about. And it disgusted me when she lamented the misfortune of her heroine cause she couldn't have her afternoon tea as she pleased. Every now and then when I watch the news I shed tears too, but the rest of time I move on with life in silent, biding my time for the next thing unknown. April 20 Balbus was building a wallHe wonders if it's not inappropriate to feel the deep indifference he so feels in the midst of it all. When being asked, he covers it up with vague neutrality. But when he heard the freshman at Duke being called a "shameless traitor" he started to have an inevitable aversion. Such zeal. "There's a man going around taking names." But he wonders if the girl herself really knows what she is doing. But no matter. He woke up to a heavy mist outside the window. It's gonna rain all day, he thought to himself, with vague comfort. Raining days remind him of home, always. He wollows in selfish uneasiness, worrying about having nothing to do in weekdays and lamenting over unexpected work on weekends. And so it goes on. Dedalus detached himself for "Et ignotas animum dimittit in artes", but he's just detached. "For I'm positively bored." He reached for the yellow highlighter underneath the pillow and marked that line. In the middle of it he started to sweat uncontrollably. Afterwards when he recalled vividly how his heart skipped upon hearing the dreaded question, he thought that was a sure omen. He has all but given up quiting. Standing outside the building, puffing smoke slowly and staring into the rain-drenched street in a blissful trance is too much of a temptation for him. An endless stream of taxi flowed in front of him. When the door opened, a leg always stuck out first. In that split second before the person appeared he tried to fancy her face, if it's a leg of a girl who wore skirt without stockings on a rainy April afternoon. A guy in suit and tie (on a Sunday) walked by, shooting an absent-minded glance at him. Without slowing down his pace the guy scanned him quickly again with a second look as if suddenly reminded of something. Then after a few more steps the guy unmistakably turned around and looked at him with a short but deliberate stare. There's something in that stare he couldn't reckon with, but he fixed his sight on the girl in the ice cream shop across the street as if not noticing anything. The guy walked away. The girl was standing behind a glass window looking out on the street, wearing a curious uniform that made her look like a flight stewardess from some discount airline. She looked around as if not noticing his gaze at first, then she returned his attention with an equal expressionless stare, unfazed. The street in the middle made both of them bold. The she looked away, relapsed into her usual boredom. He put out his cigarette and went back into the building. Nonetheless he's grateful now that there's work to occupy his mind. Lying in bed all day yesterday he thought to himself, not without sarcasm that he now has a real glimpse of what Raskolnikov must have felt. Uncertainty excites an inexperienced mind, the finality afterwards unhinges it and sedates it, hopefully. April 17 April is the cruelestFinished "Crime and Punishment". After an onerous journey through the 400+ pages, the last few chapters are vindictively powerful. But upon turning the last page at 2am last night my mind was laden with fatigue. The intellectual exuberance usually aroused in me by the powerful finale of a masterpiece was just not there. I still remember vividly the sensation 5 years ago when I finished Lolita on a winter night, how I shivered through the ending uncontrollably; how I got up from the bed upon closing the book and started typing frantically yet still barely able to keep up with the thousand threads of thoughts racing through my mind; and when the day finally broke how I sprinkled my face with cold water and went straight to work, walking in such a haste with an almost religious ecstasy aroused by fresh pain and suffering. But laying down the book with exhaustion last night I came to the realization, for the first time in my life and with some sort of vague horror, that reading is probably not the Omnipotent Savior I always thought it was, to which I can always turn for justification of existence. I did feel "a pang in the heart", so to speak, in the final scene with Dounia and Svidrigailov. Come to think of it, it has not just a passing resemblance to the final scene in Lolita, when Humbert, after committing the murder, drove away slowly on the highway in the opposite lane. "I'll wait", Svidrigailov said, twice. I can almost see the expression on his face, the sort of calmness and sense of relief a man feels at the moment when he knows with absolute certainty that there is no reason for life to go on, when he makes up his mind to die. April 11 dancing beats2:03am @ Mix, start to relapsed in and out of trances in perfect sync with the insisting beats. It is so intrusive, and so scandalously loud, it's like being violated - at first it hurts you, physically, but after being pound repeatedly, indisputably, you kind of just give up and lay back and take whatever it's coming to you, in utter resignation. Look at these ambiguous faces: with stupor and mechanic, idiotic expressions that have a remote resemblance to smiles, you can't help but wondering what proportion of these posers here is really happy. It's a chore, nonetheless an absolute duty, to shake their bodies in whichever awkward way it occurs to them at any given moment, "rhythm is gonna get you," and so it goes. You stand in a discrete distance, move your body gingerly, meanwhile trying to maintain a laughable air of aloofness, but all the while at the back of your mind you have a vague realization that something is not quite right. No, awfully wrong actually. But you are perfectly comfortable with that comprehension. The last trace of sanity or hope of atonement, you let it flow idly in the depth of thoughts, like a piece of log on the surface of a menacing sea, knowing that it would be your last straw to hold on to when you start to feel like drowning. March 30 前天的一个梦在被静电杂音淹没之前,女人隐约听到男人在另一端说,明天是周末。。。乘七号线地铁去海边。 清晨女人站在地铁站硕大的地图面前,看了很久。地铁线路图错综复杂,宛如一只巨大的蜘蛛匍匐在城市表面。并没有七号这一条线。女人正感到惶惑,地图右边突然浮现出一个巨大的按钮,"zoom out"。她伸出手去,地图开始缩进,女人瞬间仿佛在飞船上升空离开地面,城市的街道象被吸进黑洞的中心,以光速倒退消失。起伏的地貌紧接着开始隐约浮现。女人觉得晕眩,她抬起手,地图瞬间静止。所有的细节已经消失,一片黄色的沙漠中间有一个红色的五角星,"You are here"。然而地铁线的构架并没有改变,仍然从五角星的中心往四面八方伸出触角。女人再次将手伸出,四周地貌又迅速地被吸入五角星。然而地貌良久不再变化,蔓延的只是更广漠的黄色。没有蓝色海岸的踪迹。女人开始怀疑记忆的可靠性。她闭上眼睛,电话的电流声潮水一般的涨起,男人的声音象从水面传来,遥远而不真切。可是她几乎能想象出男人说话时揶揄的神情,嘴角一个毫无诚意的笑容,似乎发出的不是邀请而是挑衅。女人无声地掏出蓝色的指甲油,在地图底端涂出一片不规则的形状。然后用红色的唇膏在五角星和蓝色色块之间划出一条线。一个黑色的小圆形在线条上浮出,女人用唇膏在圆形中心写上一个“七”字。 女人走下地铁,立刻踏上了海边的沙滩。她看到男人的背影,正一步一步往海中走去。她迈出脚步,后跟陷入沙粒中无法前行。她于是站在沙滩中央一块突起的石头上,全神贯注地将思想聚焦在男人的肩膀。男人并没有回头,只是以一种接近圣人的耐心和缓慢但坚定的速度继续往海中行进。女人终于意识到男人到海边的目的。她并且突然明白此刻实际上男人的心神已经全然的离开了这个世界,只是他的身体还滞留在视线中。象在飞往另一个城市的飞机上等待起飞,虽然身体还在出发地,但是整个离去已不可逆转。一瞬间女人开始怀疑是否跟这个男人相识,也许她只是在电话串线的瞬间偶然听到一个陌生人的独白,就这样唐突地出现在这个应该是很私密的现场。但是男人对她的辗转到来似乎无动于衷,女人于是从焦躁化为平静,象一个巫师目击自己的预言不可避免的展开,她目送男人的身体逐渐融入海水之中。 一个浪头突然涌起,将泛着唾液般泡沫的海水送到女人脚下。女人的脚趾触到了海水的冰凉,但是一瞬间她感到了从海水中传来男人迅速涣散的体温。那种温度顺着她的身体蔓延,穿过她战栗的小腿烧到小腹。海水退去,男人的身影已经完全从视线中消失。女人意识她那短暂的所谓平静其实不堪一击,恐惧象海水一样涨起将她淹没。 地图上的蓝色指甲油开始干涸,衬在黄色的背景上象一团嚼过的肮脏的口香糖。 March 20 旧文 - No woman no cry这两天正把一张Bob Marley的老专辑翻出来听,那首No woman no cry是现场版的,在嘈杂的欢呼声中Bob Marley的声音更显得空旷而孤独。后来看到现场版的MV,Bob Marley在一种近乎迷离的怅惘中闭着眼睛身体慢慢随着音乐的节奏摇晃,似乎往昔所有的艰苦岁月都在音乐中依次浮现。这首歌是怀念从前他和朋友在一起hang out,聊天,喝玉米粥,看小孩子在院子里面跑。据说trench town的government yard里面真的有这么一个Georgie每天把篝火烧到深夜。歌词的整个气氛暗示着一个没有讲出来的逝去的爱情。 结尾这几句 My feet is my only carriage And so i've got to push on thru, Oh, while i'm gone Everything 's gonna be alright Everything 's gonna be alright 让我想起以前读到的Emily Dickionson的诗: I pushed mechanic feet-- To stop--or perish--or advance-- Alike indifferent-- 简单顿挫的几个音节后面暗示着巨大的绝望和空白感。当然这几句诗说的其实已经是另外一码事了。这首歌其实是很personal的,我想第一次听到的人难得有几个知道这个trenchtown是个什么地方,但是它之所以能够这么出名,让人产生共鸣的大概在怀旧中流露出来的无限温情和怅惘。 “The good friends we had, the good friends we've lost along the way... In ur bright future u can't forget ur past So dry ur tears i say...” Bob Marley的理念是用音乐实现世界大同,他所做的也正是用他的旋律唤醒每个人心中的Demon。 旧文 - 两张唱片今天天气很好,下午出去喝咖啡的时候转到一个旧唱片店,想起我那张Sarah Mclachlan的Fumble towards ecstasy 不知道借给谁找不回来了,就去翻了翻居然有,就又买了一张,顺便又看见Miles Davis的the Birth of Cool,店员用那种大brown bag装好给我,走在回来的路上心情突然很好。回到实验室就放着听。 Sarah Mclachlan这张专辑可以说是她的顶峰之作,非常冷,可惜不知道后来怎么沦落成一个流行歌手。特别是wait这首歌,你可以想象她微微撇起嘴角来笑的时候那种冷酷而cynical的样子,就是这首歌所传达的对我们整个一代人爱情观的绝望和不认同, Under the blackened sky, Far beyond the glaring street light, Sleeping on empty dreams The vulture lie in wait... 开始就勾勒出一个黑色的梦境 You lay down beside me then you were with me every waking hour so close I could feel your breath 爱情的主题浮出,给人的是一种vulnerable的感触 When all i wanted was the dream, To have and to hold that precious little thing, Like every generation yield, The new born hope unjaded by their year. 主旋律第一次浮现,表现出对爱情的怜惜和旁边的姿态 Pressed up against the glass I found myself wanting sympathy but to be consumed again oh I know would be the death of me again,非常女性化的心态,对爱情的期望和恐惧搀杂在一起 and there is a love that's inherently given a kind of blindness offered to appease and in that light of forbidden joy oh I know I won't receive it 这几句我很喜欢,体现出冷静的哲思,与主旋律丝丝相扣 。。。 You know if I leave you now it doesn't mean that I love you any less it's just the state I'm in I can't be good to anyone else like this 又一段主旋律以后,在结束之前出现这样一段歌词,似乎很突兀,但是却令人震撼,在种种哲思和反讽之后,流露出一个普通女人面对爱情决裂,冷静承受的同时又柔肠寸断的心情,最让人心碎的莫过于仍然想爱的人必须要分开,歌曲随之结束,让人沉浸在一种无法挽回的悲伤中。 旧文 - 听“孤独的人是可耻的”美东今年的冬天特别长,已经三月底了,气温还是在30度左右徘徊。下过几场雪暴,又突然热了几天,雪慢慢的都化了,又是接连着阴天,街上一切都是灰蒙蒙光突突的。桌上的CD翻来翻去都听滥了,终于又在抽屉里面找到的那张“孤独的人是可耻”。站在楼门口抽烟,咖啡的热气和吐出来的烟混在一起了,象“赵小姐”开头清脆的吉它和沉重的鼓点完美的合拍。 开始听张楚还在大学里面,记得当时北京校园里的冬天和现在不无相似,不下雪的时候,一切都是黯寂无声怔怔的那么站在冷空气里--毕竟是在同一纬度上的两个城市。中午骑车去饭堂的路上耳机里在唱“没有选择,我们必须恋爱。。。”,看着相互喂食的食堂情侣,有种self-righteous似的孤独感,非常的佩服自己。其实当时刚过二十,是心脏跳得最快的年纪,现在想起来,几乎没有什么是不值得骄傲的。歌中那种沉静的无奈与绝望,现在再听起来才真正知道害怕。 可能是个人偏好的问题,那种无力的挣扎,已经承认失败以后却因为不能妥协而抗争,更能够刺激我的神经。比如同样一首“Pennyroyal Tea”,在“unplugged in New York”那种仿如刚刚手淫完毕的疲惫的演绎,就比“In Utero”里面原版的那种疯狂嘶吼更让我窒息。这样的表现在“孤独。。。”这张专辑里一再的淋漓尽致,他承认在这个空气里弥漫着“情侣的味道”的社会里孤独的不被认同,孤独的人感觉到的挫折和耻辱。在承认失败以后,在放弃抵抗的霎那,保持着孤独的姿态被毁灭所产生的一种奇怪的轻松和骄傲,失败也是一种完成。 或者作为一只整日为了食物奔波的“苍蝇”,生活在随时有生命危险的世界上,对自己的愤怒和悲伤的不确定,稍微感觉到环境安全的时候赶紧小心翼翼的爱一下,奇怪的是他将这些感觉以一种异常平静的语气表达出来,并没有愤怒控诉的意思,倒象是独自呓语碰巧被别人听见一样。就好象那天我给一个朋友听Mazzy Star的“Be My Angel”,她的三段评论是,听第一遍的时候:“怎么跟说话似的。”,多听了几遍,“可是越听越好听,好象直往心里钻。”然后终于不想再听了,“听得我要目光涣散。” 我喜欢张楚在歌里唱“在没有方向的风中开始跳吧,或者系紧鞋带听远处歌唱。”“天空的飞鸟总让我张望,它只感觉到冷暖没有重量”,让你觉得在这个疯狂和不友好的世界里面还有这些细节可以维系依靠,有些感觉还是可以自己掌握的。象“冷暖自知”,“和大伙儿去乘凉”,“上苍保佑吃完了饭的人民”,这些几乎是张楚标志性的歌曲,反复表述小市民的不知所措,和无所谓,而歌词之间充满着温暖的谐谑。“在一种时候她会真的感到伤心,就是别人的裙子,比她身上的好”,我在想能把其实会另一般人厌烦的虚荣心表现得脆弱和可爱,需要的也是一种包容和爱心,“在懂手段的男人面前她会沉不住气,她知道这太危险她会吃亏的”,对一个平凡但是偶尔也憧憬的女人不能比这两句话勾勒得更贴切,让男人听到的时候难免有去爱护疼惜的冲动吧。 我不知道张楚受80年代校园诗,特别是北大诗派的影响有多大,可是在他的歌词里面很容易看到海子,骆一禾这些人的身影。阳光,麦地,飞鸟,都是他们非常喜欢的意象,而对于时代动荡,生命的不确定和不安,也在他们的诗和歌词里面反复体现。而且张楚的歌,仔细去听有一种对于微不足道的生命的大悲怆,这点是何勇,甚至窦唯的歌都不具备的。他们的诗和歌词,没有那种对人生的无目的和无价值而产生的徘惶和无聊,如果说有什么负面情绪,也只有理想不能实现的无奈和认命。“面朝大海”已经被说滥了,可是那种清澈的理想和希望,只能作为一种绝响出现,这也许就是为什么海子以后中国诗坛从此衰落,而张楚在“孤独。。。”以后也不再有成气候的作品问世的原因。 February 18 On the Road成都今天又下了一天的雨。天黑以后停了,院子里石板路被矮脚灯照到的地方光滑透明。半夜到屋顶抽烟,还有雨丝零星地打在脸上,象一场冗长的表演到了结尾,副歌尚未完全淡出,却已是起身离席的信号。刚点上一支烟,隐隐有轰鸣的声音,抬头望天却看不到机翼的信号灯,大概飞在厚重的云层之外。成都雨天的晚上总是有雾,近处的房屋拢着一圈灯光,隐忍而静默的样子;更远一点连轮廓都完全看不到了,只有一团团彼此疏离的光晕浮在湿润的半空中。偶尔远处还有烟花爆炸的声音,也看不见,比起除夕夜盛放的情景,只觉得凄凉。节过完了,还有剩下的烟花,不放掉可惜了吧。
中学六年的同学在博客上留言,看到“长风万里”这个词忽然有了感触。想起初中读“行路难”,“长风破浪应有时,直挂云帆济沧海”,还清楚的记得当时想这一辈子如果远游四海应该是相当快意的事情。如今想想离家这15年,只有无话可说。好象30岁的时候再读海子的“面朝大海,春暖花开”,突然明白理想主义的致命伤是缺乏细节。
明天去北京,然后飞波士顿,再坐车去纽约,两三天时间把30多年呆过的四个城市就浏览了一遍,觉得人生也是乏善可陈。On the Road一直是我非常喜欢的一本书,但是比起Jack Kerouac,我只能算是循规蹈矩的生活。总是记得一个细节,十月Jack在仍然酷热的Texas开了十几个小时的车,开始上一座山的时候突然分外疲惫,就换到后座睡觉。醒来往车窗外一望,半山上漫天大雪,突然就有些恍惚,时间空间上的失标(the lose of relativity in time and space)。还有就是千辛万苦搭车到了Denver,遇到多年不见的Dean。走出酒吧,Dean突然在午夜空旷的街上奔跑起来,挥舞着双手大喊,"Blow, man! Blow!" 那种完全没有牵念的状态 (no attachement in life),至今也对我有魔法一般的吸引力。在波士顿8年,到Ann Arbor的时候只提了两个大行李箱。今年又提了两个箱子回来,这次回纽约,都不知道三月份以后会在什么地方。即使是如此驯良的生活,因为永远的目的地不明,也会有相似的感觉,就算是叶公好龙吧。
说到旅行,昨天把小白镜头摔了,沮丧了很久。虽然买了刚刚半年,但是已经拍出了很多喜欢的照片。出去拍照带在身上鼓鼓的象揣了一个孩子在怀里,一不小心就摔坏了,感觉好象非常抱歉,对不起它。 February 12 草堂人日我归来半夜的时候打车回家,开始下雨。拐进很长的一条小巷子,路灯似有似无的,一个穿一身猩红色大衣的年轻女人,拖着一个箱子走在马路中间,高跟鞋敲得整个巷子叮当作响。车子经过她身边的时候只能绕到对面的车道上,回头看了她一眼,看不清脸但似乎是没有表情。诡异。雨渐渐大了,打在玻璃上噼啪作响,听不清楚出租车师傅在前面嘟嘟啷啷的说什么。拐出来沿河边走,路上一个人都没有了,看着沿途还是灯火辉煌,突然第一次意识到真的又要走了。想到高中的时候没人管,半夜跑到河边来作案,点根一块钱一包的烟就觉得自己很拽,偶尔有人散夜步经过面前就没来由的骂人家两句自己听到都刺耳的脏话。放磁带的随身听,一盘带子反复录满一首“今夜星光灿烂”∶“灯光里飞驰失意的孩子”“红黄绿灯驱散心灵尽处界限,无惧夜风冰冷车从没有变慢”。只不过人家开的是摩托,我骑的是自行车,还是可以登得飞快。骑在马路中间,看看前后没汽车还要撒把。当时不觉得,现在想想那时候可能蛮孤单的,天天半夜一个人在街上,不过应该也没有孤独就好了。无所事事是一种模糊的幸福状态,懂得的时候已经再也不可能了。但是成都晚上是看不到星星的,都是乌云。前天在屋顶抽烟,眯起眼睛望天,突然想到也许成都是唯一一个可以在正午直视太阳的地方,影影绰绰的。走到石室附近,原来的木吊桥大坟包都没有了。曾经这么熟悉的地方,现在完全修得认不到了。高一那阵,经常晚上和一个同学出来坐到河边吊桥底下的坡上。四周都是荒田完全没有灯光,感觉整个世界唯一的光亮是那个同学的烟头,在下面几米的地方随他的呼吸起伏明灭。然后就是流水的声音。就那样子就可以坐一晚上,也不说话。啥都不想。要不然就是半夜翻墙到人民公园,吓那些假山背后谈恋爱的。整天想找人打个架,后来看到一次真正打架的,吓傻了。那时候还基本上完全是靠摔跟头长见识的。那个同学两年前见了一次,赚了很多钱,其它的就不用提了。跟他在良木缘对面坐着抽烟,突然怀疑那些事情是不是都是我臆想出来的。不过这个城市也跟人一样,名字还是那个名字,但已经是对面不相识了。那时候街上没那么多汽车,马路很窄,就两条车道。人行道很宽,绵延的都是两人才能合抱的法国梧桐,沿途浓荫蔽日。现在全砍了,马路宽了,走路的人很惨,夏天都是素面朝天,暴晒。每次回来打车走在路上,看路牌名字都很熟悉,但是完全不认识了。渐渐感觉我生长的成都已经不在了,眼前这个城市已经跟我没有关系了。
回来很累,但是睡不着,抽了两根烟,听到外面在下很大的雨。可能晚上菌子火锅吃拐了,感情泛滥。 February 04 daydream at 11:49pmI'm still alternating between depression and total denial. This is an OMEN! People say everybody eventually pass the bar, but after today I'm not so sure, if the almighty Pats could lose a game that was supposed to be just a prelude to the coronation of a dynasty. After all I just failed the mock exam magnificently. Just when I was mentally exhausted and having maybe the 10th cigarette of the day, one of my colleagues in the Beijing office told me that a few associates in the office haven't gone home for 3 days. I'm thinking maybe I have a long lost uncle who happens to be stinking rich in some tuck-away corner of the earth and is about to drop dead any minute now. (which reminds me i still don't know shit about Wills or Trusts after reviewing the material twice). Or I'll go out and buy some lotto first thing tomorrow morning instead of struggling with this "fee simple determinable" nonsense, which is way too complicated and I can't determine shit. Talking about misrepresentation. Then I can sit on my fat ass all day till Feb 26th doing nothing but making paper planes out of these 10 Barbri volumes, and on the bar exam I'll just fill the scantran in the shape of giant middle finger. February 03 ...I went to the rooftop to smoke after the game, for a moment i pondered over the option to climb over the fence and throw myself off the building to put myself out of the misery for the 7 months to come. February 02 Forever YoungSomething occurred to me today, as I was having my daily dose of nicotine on the rooftop garden this morning. After the dust settles, the only persisting benefit I'll derive from this one month and half excruciating experience is that I finally found out the One best legal doctrine: the Fertile Octogenarian Rule. The intended constituents of this rule are women of course, but I dare anyone to challenge my entitlement to it under the Intermediate Scrutiny applied to sexual discrimination. Yeah, as things stand right now, there's a reasonable expectation that I'll need it. | ||||||||||||||||||||||||||